Los Tellos de Meneses, de Lope y de Bretón, en el canon, la historiografía literaria y la fortuna escénica de la comedia histórica española

  1. ALBERTO ESCALANTE VARONA
Revista:
Berceo
  1. Lázaro Niso, Rebeca (coord.)

ISSN: 0210-8550

Año de publicación: 2019

Título del ejemplar: El teatro del Siglo de Oro en Manuel Bretón de los Herreros

Número: 177

Páginas: 37-56

Tipo: Artículo

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Otras publicaciones en: Berceo

Repositorio institucional: lock_openAcceso abierto Editor

Resumen

In this paper, we propose a comparative analysis between Los Tellos de Meneses, first part, written by Lope de Vega, and its rewritten homonymous version, by Bretón de los Herreros. Firstly, we will place the first stage of Bretón’s dramatic career and his plays rewritten from baroque texts in the context of theatrical debates from the last decades of 18th century. Then, we will offer bibliographic and scenic data about both plays. Secondly, we will comment the writing process of regularization made by Bretón, as he adapts Lope’s play to the three classical unities, and therefore changes some aspects of the plot in order to strengthen its verisimilitude. Thirdly, and at last, we will point the relevance of these texts, and the rest of Bretón’s plays rewritten from baroque texts, as an example of the ongoing inclusion of baroque drama in Spanish literary canon.