Las reescrituras del mundo grecorromano en el "barroco miserable" de "La virgen cabeza"Una perspectiva desde la recepción clásica

  1. Guillermo Alberto Aprile 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Aldizkaria:
Tropelias: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373

Argitalpen urtea: 2023

Zenbakia: 40

Orrialdeak: 369-383

Mota: Artikulua

DOI: 10.26754/OJS_TROPELIAS/TROPELIAS.2023408723 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Tropelias: Revista de teoría de la literatura y literatura comparada

Gordailu instituzionala: lock_openSarbide irekia Editor

Laburpena

The novel La virgen cabeza by Gabriela Cabezón Cámara explores the margins of Argentine society in different ways. Not only it depicts a story centered in socially excluded sectors, such as the inhabitants of slums (villas miseria) or the gender-dissident travestis, but also it accomplishes this by creating a language and literary form of its own, called «wretched baroque». This paper uses the methodology of classical reception to analyze how several rewritings of the literature and culture of ancient Greece and Rome are integrated into the heterogeneous accumulation of discourses that characterizes the narrative universe of the novel.

Datuen iturria: Dialnet