The Modernisation of William Shakespeare’s HamletIdentity and Gender in Iris Murdoch’s The Black Prince

  1. Alicia Muro Llorente 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
Estudios irlandeses = Journal of Irish Studies

ISSN: 1699-311X

Año de publicación: 2018

Número: 13

Páginas: 90-102

Tipo: Artículo

DOI: 10.24162/EI2018-8629 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Estudios irlandeses = Journal of Irish Studies

Repositorio institucional: lock_openAcceso abierto Editor

Objetivos de desarrollo sostenible

Referencias bibliográficas

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  • Cervantes, Miguel de. Don Quixote. Trans. Edith Grossman. London: Vintage Classics, 2005 (1605).
  • D’Alton, Ian. “In Praise of Iris Murdoch”. The Irish Times. 3 June 2015. 19 February 2018. https://www.irishtimes.com/culture/books/in-praise-of-iris-murdoch-by-ian-d-alton1.2235736.
  • De Petris, Carla. “‘Who am I? Well, I’m Irish anyway, that’s something.’ Iris Murdoch and Ireland”. Studi irlandesi. A Journal of Irish Studies 6 (2016): 259-70.
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  • Hamlet. Dir. Gregory Doran. [DVD] UK: BBC, Royal Shakespeare Company, 2009. Howard, Tony. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007.
  • Johnson, Deborah. Iris Murdoch. Brighton: The Harvester Press, 1987.
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  • Moden, Rebecca. Illusion and Reality in the Fiction of Iris Murdoch: A Study of The Black Prince, The Sea, The Sea and The Good Apprentice. MPhil thesis. University of Birmingham, 2011.
  • Murdoch, Iris. The Book and the Brotherhood. London: Penguin Books, 1989.
  • Murdoch, Iris. Something Special: A Story. London: W. W. Norton, 2000 (1957).
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  • Xu, Ming-ying. “The Establishment of Female Identity in The Black Prince”. American International Journal of Social Science 3.3 (2014): 161-67.
Fuente de los datos: Dialnet