The Modernisation of William Shakespeare’s HamletIdentity and Gender in Iris Murdoch’s The Black Prince

  1. Alicia Muro Llorente 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
Estudios irlandeses = Journal of Irish Studies

ISSN: 1699-311X

Año de publicación: 2018

Número: 13

Páginas: 90-102

Tipo: Artículo

DOI: 10.24162/EI2018-8629 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Estudios irlandeses = Journal of Irish Studies

Repositorio institucional: lock_openAcceso abierto Editor

Referencias bibliográficas

  • Atwood, Margaret. “Gertrude Talks Back”. Good Bones. Toronto: Coach House Press, 1992. 15–18.
  • Beauvoir, Simone de. The Second Sex. London: Vintage, 1989.
  • Booth, Wayne C. The Rhetoric of Fiction. London: Penguin Books, 1991 (1961).
  • Cervantes, Miguel de. Don Quixote. Trans. Edith Grossman. London: Vintage Classics, 2005 (1605).
  • D’Alton, Ian. “In Praise of Iris Murdoch”. The Irish Times. 3 June 2015. 19 February 2018. https://www.irishtimes.com/culture/books/in-praise-of-iris-murdoch-by-ian-d-alton1.2235736.
  • De Petris, Carla. “‘Who am I? Well, I’m Irish anyway, that’s something.’ Iris Murdoch and Ireland”. Studi irlandesi. A Journal of Irish Studies 6 (2016): 259-70.
  • Dickens, Charles. Our Mutual Friend. London: Wordsworth Classics, 1997 (1865).
  • Friedan, Betty. The Feminine Mystique. London: Penguin Classics, 2010 (1963).
  • Genette, Gerard. Palimpsests: Literature in the Second Degree. Lincoln, NE: University of Nebraska Press, 1997.
  • Graf, Emily. Gertrude’s Role in Hamlet. Senior honours thesis. Eastern Michigan University, 2013.
  • Hamlet. Dir. Gregory Doran. [DVD] UK: BBC, Royal Shakespeare Company, 2009. Howard, Tony. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007.
  • Johnson, Deborah. Iris Murdoch. Brighton: The Harvester Press, 1987.
  • Kristeva, Julia. Desire in Language: A Semiotic Approach to Language and Art. New York: Columbia University Press, 1980.
  • McEwan, Ian. Nutshell. London: Jonathan Cape, 2016.
  • Moden, Rebecca. Illusion and Reality in the Fiction of Iris Murdoch: A Study of The Black Prince, The Sea, The Sea and The Good Apprentice. MPhil thesis. University of Birmingham, 2011.
  • Murdoch, Iris. The Book and the Brotherhood. London: Penguin Books, 1989.
  • Murdoch, Iris. Something Special: A Story. London: W. W. Norton, 2000 (1957).
  • Murdoch, Iris. The Unicorn. London: Vintage, 2001 (1963).
  • Murdoch, Iris. The Red and the Green. London: Vintage, 2002 (1965).
  • Murdoch, Iris. The Black Prince. London: Vintage, 2013 (1973).
  • Nicol, Bran. Iris Murdoch: The Retrospective Fiction. London: Macmillan Press, 1999.
  • Shakespeare, William. Hamlet. New York: Norton Critical Editions, 2011 (1603).
  • Showalter, Elaine. “Toward a Feminist Poetics”. The New Feminist Criticism: Essays on Women, Literature and Theory. Ed. Elaine Showalter. London: Virago, 1986. 125-43.
  • Waugh, Patricia. Metafiction: The Theory and Practice of Self-Conscious Fiction. London: Methuen, 1984.
  • Xu, Ming-ying. “The Establishment of Female Identity in The Black Prince”. American International Journal of Social Science 3.3 (2014): 161-67.