La métrica y sus implicaciones técnicas en "El Bruto de Babilonia" respecto a la "Primera Parte" de Moreto

  1. Delia Gavela García 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
eHumanista: Journal of Iberian Studies

ISSN: 1540-5877

Ano de publicación: 2013

Volume: 23

Páxinas: 143-160

Tipo: Artigo

Outras publicacións en: eHumanista: Journal of Iberian Studies

Repositorio institucional: lock_openAcceso aberto Editor

Resumo

This articles analyzes several creative techniques as evidenced by the use of metrical patterns in the Primera Parte of comedies by Moreto in order to confirm the authorship of each of the acts of "El bruto de Babilonia" (co-written by Matos, Moreto, and Cáncer). In addition, the article delves into the compositional process of plays written in collaboration.