History as a discourse in Jeanette Winterson's "The passion"the politics of alterity
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Universidad de La Rioja
info
ISSN: 1576-6357
Año de publicación: 2000
Título del ejemplar: New Voices in Literature
Número: 2
Páginas: 7-18
Tipo: Artículo
beta Ver similares en nube de resultadosOtras publicaciones en: Journal of English Studies
Objetivos de desarrollo sostenible
Resumen
Set in the historical context of the French Revolution and the Napoleonic wars, Jeanette Winterson's The Passion is an outstanding example of the kind of fiction that Elizabeth Wesseling (1991: vii) calls postmodernist historical novels, that is, "novelistic adaptations of historical material". Besides, being profoundly self-reflexive, the novel also falls under Linda Hutcheon's (1988) category of historiographic metafiction. The present paper focuses on Winterson's political choice of two representatives of historically silenced groups, a soldier and a woman, who use two apparently opposed narrative modes, the historical and the fantastic, to tell a story that both exposes history as a discursive construct and provides an alternative fantastic discourse for the representation of feminine desire.
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