Cognitive grounding for cross-cultural commercial communication

  1. Pérez Hernández, L. 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
Cognitive Linguistics

ISSN: 0936-5907

Año de publicación: 2014

Volumen: 25

Número: 2

Páginas: 203-248

Tipo: Artículo

DOI: 10.1515/COG-2014-0015 SCOPUS: 2-s2.0-84902289552 WoS: WOS:000337228200002 GOOGLE SCHOLAR

Otras publicaciones en: Cognitive Linguistics

Repositorio institucional: lock_openAcceso abierto Editor

Resumen

Internationally recognized brands are an increasingly essential asset for present-day companies. This paper takes a cognitive perspective on the semantics of commercial brands (and their related logos), and explores the role of image schemas in endowing them with a cross-culturally significant core meaning. Two surveys were carried out among speakers of four different languages (i.e., English, Spanish, Chinese, and Arabic) in relation to the logos of several car categories (minis, family cars, 4×4s, and sports cars) and a limited set of image schemas (CONTAINER, FORCE, and ATTRIBUTE). The analysis of the results reveals a consistent correlation between the participants' semantic interpretation of the car brands, and the basic meanings deriving from the image schemas included in their logos. The outcome of the surveys also points to the existence of potential constraints on the universal reach of image-schematic-based communication. These limitations emerge either from the combination of image schemas with additional idealized cultural models, or from the use of specific richer configurations of the image-schematic visual cues at work. In this connection, the present study explores the inventory of visual configurations available for the representation of the image schemas under scrutiny, assesses their universal significance, and raises awareness about differences in the cross-cultural communicative effectiveness of the various layouts of a given image-schematic cue. © 2014 by Walter de Gruyter Berlin/Boston.