Corelli, politics and music during the visit of Philip v to Naples in 1702

  1. Domínguez, J.M. 1
  1. 1 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
Eighteenth-Century Music

ISSN: 1478-5706

Ano de publicación: 2013

Volume: 10

Número: 1

Páxinas: 93-108

Tipo: Artigo

beta Ver similares en nube de resultados
DOI: 10.1017/S1478570612000371 SCOPUS: 2-s2.0-84873624529 WoS: WOS:000314637600005 GOOGLE SCHOLAR

Outras publicacións en: Eighteenth-Century Music

Obxectivos de Desenvolvemento Sustentable

Resumo

This article discusses and places in historical context a newly discovered set of letters between Cardinal Pietro Ottoboni and his agent in Naples during the visit of King Philip V of Spain to the city in 1702. These letters, in part transcribed in an Appendix, clarify several details concerning Corelli's visit to the city and confirm that he was accompanied by the violinist Matteo Fornari as well as by a third musician, the cellist Pippo Amadei, instead of G. L. Lulier, as hitherto supposed. With new facts that augment information already known from other sources, such as the correspondence of Cardinal Francesco Maria de' Medici, the article sheds new light on disputes that occurred at this time between other musicians and their patrons, such as those involving G. B. Stuck and the Giudice family. Considering these facts in the wider context of the War of the Spanish Succession, I argue that Corelli's visit was the subject of significant political calculations on the part of Cardinal Ottoboni and members of the Spanish and Neapolitan nobility. © 2013 Cambridge University Press.