Y con esto se da finfórmulas estereotipadas y metateatralidad en los cierres de las comedias calderonianas

  1. Alicia Vara López 1
  2. Zaida Vila Carneiro 2
  1. 1 Universidad de Córdoba
    info

    Universidad de Córdoba

    Córdoba, España

    ROR https://ror.org/05yc77b46

  2. 2 Universidad de La Rioja
    info

    Universidad de La Rioja

    Logroño, España

    ROR https://ror.org/0553yr311

Revista:
Hispanic Research Journal: Iberian and Latin American Studies

ISSN: 1468-2737

Ano de publicación: 2015

Volume: 16

Número: 6

Páxinas: 507-522

Tipo: Artigo

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DOI: 10.1179/1468273715Z.000000000141 DIALNET GOOGLE SCHOLAR

Outras publicacións en: Hispanic Research Journal: Iberian and Latin American Studies

Obxectivos de Desenvolvemento Sustentable

Resumo

This article analyses the endings of 120 plays by Pedro Calderón de la Barca (seven of them written in collaboration) and classifies the captatio benevo-lentiae formulas that appear in them, related to the Baroque taste for met-aliterary artifice. The study of the chronological evolution of the selection of such codified references is not only essential for understanding the modus scribendi of Calderón, but can also be considered a new tool for the dating of certain works and the establishment of authorship.

Fonte de datos: Dialnet